{"title":"Charles Frend","description":"\u003csection class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-(--header-height)\" dir=\"auto\" data-turn-id=\"9b5f6987-57d5-4238-9b30-c0309f15b644\" data-testid=\"conversation-turn-3\" data-scroll-anchor=\"false\" data-turn=\"user\"\u003e\u003c\/section\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-WEB:6cd04d00-a3de-4239-a899-b38dc9d2b514-1\" data-testid=\"conversation-turn-4\" data-scroll-anchor=\"true\" data-turn=\"assistant\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"89286548-433b-4051-960b-3f502e9551f9\" dir=\"auto\" data-message-model-slug=\"gpt-5-3\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" data-turn-start-message=\"true\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word light markdown-new-styling\"\u003e\n\u003cp data-start=\"0\" data-end=\"228\"\u003e\u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eCharles Frend\u003c\/span\u003e\u003c\/span\u003e (1909–1977) fue un director, montador y guionista británico, conocido sobre todo por su trabajo en el cine británico de posguerra y su colaboración con \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eEaling Studios\u003c\/span\u003e\u003c\/span\u003e.\u003c\/p\u003e\n\u003cp data-start=\"0\" data-end=\"228\"\u003eFrend comenzó su carrera como montador, lo que influyó en su estilo narrativo preciso y bien estructurado. Con el tiempo pasó a la dirección, convirtiéndose en una figura importante dentro de Ealing Studios, un estudio famoso por sus películas realistas y de gran calidad.\u003c\/p\u003e\n\u003cp data-start=\"0\" data-end=\"228\"\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eSe caracteriza por u\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003en enfoque \u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003erealista\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e, especialmente en historias de guerra con gr\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003ean dominio del \u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eritmo narrativo\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e (influido por su experiencia como montador) y un i\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003enterés por los \u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003epersonajes y el trabajo en equipo.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"1298\" data-end=\"1442\"\u003eAunque no es tan conocido como otros directores de su época, su contribución al cine británico —especialmente dentro de Ealing— es muy valorada.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e","products":[{"product_id":"the-magnet-the-ealing-studios-collection","title":"The Magnet - The Ealing Studios Collection","description":"\u003cp\u003eDVD.-Estado: Nuevo Precintado.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGentle Ealing comedy about childhood, guilt and half-truths starring a young James Fox (then known by his real name, William Fox) as Johnny Brent, a mischievous boy who tricks a younger boy (Keith Robinson) into giving him his magnet in return for an 'invisible' clock. Having successfully obtained the magnet, Johnny immediately starts to feel guilty about his swindling behaviour. His guilt sparks a chain of misplaced assumptions that lead to a search being mounted for the boy, who has run away after becoming convinced that he is wanted for murder.\u003c\/span\u003e\u003c\/p\u003e","brand":"JPIBZ","offers":[{"title":"Default Title","offer_id":64144181002589,"sku":"M00480","price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0976\/7885\/2445\/files\/TheMagnet.png?v=1775836474"},{"product_id":"the-long-arm-the-ealing-studios-collection","title":"The Long Arm - The Ealing Studios Collection","description":"\u003cp\u003eDVD.-Estado: Como nuevo.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eJack Hawkins is starred as a gruff, intensely dedicated Scotland Yard superintendent. Working as much by instinct as through scientific methods, Hawkins and rookie sergeant John Stratton tackle the case of a string of unsolved safecrackings, committed by the elusive Richard Leech. This Dragnet approach gives way to suspense as robbery leads to murder. A neat surprise twist caps this finely honed example of British moviemaking know-how. The Long Arm was released in the U.S. as The Third Key.\u003c\/span\u003e\u003c\/p\u003e","brand":"JPIBZ","offers":[{"title":"Default Title","offer_id":64237239664989,"sku":"M00519","price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0976\/7885\/2445\/files\/TheLongArm.png?v=1776442676"},{"product_id":"a-run-for-your-money","title":"A Run For Your Money","description":"\u003cp\u003eDVD.-Estado: Nuevo Precintado.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEaling comedy directed by Charles Frend, starring Donald Houston and Meredith Edwards as two Welsh coalminers. Following a local competition, David (Houston) and Twm (Edwards) earn a cash prize as well as a day out in London which includes tickets to a rugby match at Twickenham. However, when they fail to meet with newspaper reporter Mr. Whimple (Alec Guinness), the pair find themselves in various scrapes, including a prolonged pub crawl and a meeting in a pawn shop with scam artist Jo (Moira Lister).\u003c\/span\u003e\u003c\/p\u003e","brand":"JPIBZ","offers":[{"title":"Default Title","offer_id":64723844923741,"sku":"M00657","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0976\/7885\/2445\/files\/ARunForYourMoney.jpg?v=1779027951"},{"product_id":"war-at-sea-the-cruel-sea-for-those-in-peril-san-demetrio-london","title":"War At Sea (The Cruel Sea - For Those In Peril - San Demetrio, London)","description":"\u003cp\u003eDVD.-Estado: Como Nuevo.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTriple bill of war dramas set at sea. In 'For Those in Peril' (1943), Pilot Officer Rawlings (Ralph Michael) is turned down by the RAF for air service on medical grounds and instead joins Air Sea Rescue, helping to pull downed Allied airmen out of the sea. Rawlings is initially resentful of his new job, but gradually comes to appreciate its importance. When the crew of a Boston bomber become stranded at sea in a dinghy, Rawlings and his colleagues become involved in a race against time - and the elements - to save their lives. 'San Demetrio, London' (1943), set in 1940 during the battle of the Atlantic, is based on a true story. The crew of the petrol tanker San Demetrio are left with a near impossible task when she is torpedoed by the Germans. The crew are forced to abandon ship in three lifeboats. Two are picked up by other ships in the convoy, but the third drifts for days until its crew spies the burning San Demetrio on the horizon. Do they board the ship, try to put out its fires and get it back to English shores or do they stay in the drifting lifeboat in the hope of being rescued? In 'The Cruel Sea' (1953), based on the novel by Nicholas Monsarrat, World War Two Lt. Commander Ericson (Jack Hawkins) has already lost one ship to an enemy attack when he is given command of the frigate Saltash Castle. A subsequent confrontation in the North Atlantic tests Ericson's leadership to the limit once again, as he risks sacrificing the lives of his crew for the greater good.\u003c\/span\u003e\u003c\/p\u003e","brand":"JPIBZ","offers":[{"title":"Default Title","offer_id":64885375959389,"sku":null,"price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0976\/7885\/2445\/files\/WaratSea.jpg?v=1780499053"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0976\/7885\/2445\/collections\/Charles_Frend.png?v=1776272422","url":"https:\/\/muerdelabala.es\/collections\/charles-frend.oembed","provider":"Muerdelabala","version":"1.0","type":"link"}